For broadcasters, brands and institutions that need a real story told on location - documentaries, expedition films and series shot wherever the story actually happens.
A documentary cannot be built on a soundstage - it has to follow the story to wherever that story is, which is often somewhere hard to reach and harder to film in. We produce feature and short documentaries, expedition films and long-form series, with crews experienced in working in difficult terrain and challenging conditions, from Arctic expeditions to remote industrial sites. That means planning around weather, logistics and permits as carefully as we plan the shoot itself, and running a small, self-sufficient crew that can carry its own equipment and keep filming when the conditions are not cooperating. The result is a film with the credibility of having actually been there, not staged to look like it.
See our process
Short & fdeature-length documentaries for broadcast and streaming
Narrative films and branded stories
Expedition films shot in remote and difficult terrain
Multi-episode documentary series for broadcasters and platforms
Behind-the-scenes and process documentaries for brands and institutions
Archival research and interview-led historical documentaries
Different formats call for different production expertise. For live broadcasts, multi-camera streaming and hybrid events, Streamvision provides a dedicated live-production team and technical infrastructure.
We research the story, identify contributors and locations, and plan logistics and permits for any remote or difficult-access shoot before a camera is booked.
A small, self-sufficient crew films on location, adapting the shoot plan to weather, access and the story as it develops in the field.
We build the film in the edit from hours of footage and interviews, sharing a structured cut for review before locking the story.
We grade, mix and finish the locked edit, then deliver broadcast and platform masters along with any versions your distribution plan requires.
Shot on Sony and RED cinema cameras alongside lightweight run-and-gun rigs and drones, chosen to suit remote and difficult-access locations.
Edited in Adobe Premiere Pro, graded in DaVinci Resolve, with sound design and mix in Adobe Audition and Pro Tools.
Delivered as ProRes 422 HQ or DNxHD broadcast masters, plus H.264 versions for streaming, at up to 4K UHD resolution.
Shot and delivered at 25fps for European broadcast, or 23.976fps and 24fps on request for international and streaming delivery.
Two rounds of revisions are included at the structured-cut stage; further changes after picture lock are scoped and quoted separately.
We offer a research and development phase to identify contributors, locations and the strongest angle on the story before committing to a full production budget. This reduces risk on longer or more expensive documentary and expedition projects, and can inform funding or commissioning conversations.
We deliver broadcast masters and platform-ready versions to the specification your distributor or platform requires, including loudness normalisation, subtitle files and any territory-specific versioning. We confirm delivery requirements early so the edit and grade are built around them from the start.
Our crews have worked in demanding conditions including Arctic expeditions and remote industrial sites, running small, self-sufficient teams that can carry their own equipment. We plan logistics, permits and contingency time around weather and access before a shoot is scheduled.
Timelines vary widely by scope. A short documentary typically takes 6-10 weeks from research to final delivery, while a feature-length documentary or a multi-episode series can take several months, largely driven by access, travel logistics and how much footage needs to be structured in the edit.
Pricing depends heavily on scope, locations and length. As a guide, a short documentary of 10-20 minutes typically runs EUR 8,000-20,000, while a feature-length documentary or a multi-location expedition film runs from EUR 30,000 upwards depending on access, travel and shoot days.
Send us a brief, a reference or just a rough idea. We will come back with a scope, a timeline and a budget range.
